The Kitchen Maid, 1658 by Johannes Vermeer

As she stands before a rough, white-plastered wall, The Kitchen Maid assumes a dignity far in excess of the simple task she performs. She emanates a wholesomeness and a sense of moral purpose that stem from the steadfastness of her gaze as she carefully measures the milk into an earthenware bowl. These qualities also derive from the sheer physical power of her being, which Vermeer emphasized through the unusually bold modeling of her figure. Finally, they are augmented by the perspective of the window, whose orthogonals recede to a vanishing point just above her right hand, a placement that reinforces the significance, and permanence, of her gesture.

Vermeer was a master at using light to enhance the mood and character of his images. Here, for example, he differentiated light on the rear wall to enhance the figure's three-dimensionality. He juxtaposed the bright yellow of the milkmaid's right shoulder to the shaded portion of the wall, while placing her shaded left shoulder against a bright backdrop. He then painted a white contour line along this shoulder to accentuate the figure's strong silhouette.

The most dramatic light effects occur on the table, where Vermeer evoked the textures of the earthenware bowl, jug, and basket, as well as the freshness of the breads, with an array of specular highlights. He created these with a complex layering of paints, often applied wet-in-wet.